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Fallon Sapp

STUDIO ART

A Black Kaleidoscope explores the fractured and often stereotyped image of Black women. Black women are forced to contend with the reality of being mistreated, sexualized, and having their emotions dismissed, as well as being boxed in by harmful labels meant to diminish their sense of self. Through my body of work, I seek to critique society’s preconceived notions of Black women and offer insight into the complexities of the Black female image. Although we are often placed at the margins of society’s disdain, we are beings worthy of understanding and kindness.

I utilize both traditional and digital materials within my work, including acrylic paint, collage, and digital illustration. Not Just the Jezebel and Portrait of a Vixen draw from the style of 18th-century portraiture, specifically works that depict the hierarchy between Black and white women. I use this hierarchy to highlight how the rap music industry pits light-skinned and dark-skinned women against each other. A Sapphire’s Rage places the “angry Black woman” stereotype within a contemporary context. The monochromatic shades of blue reflect the rage fueled by injustices toward Black women and marginalized communities. Meanwhile, the Black Women in Politics posters mimic the style of political propaganda with a twist: these women advocate for equality and justice but are met with ludicrous allegations meant to undermine their political image.

Through this body of work, I aim to present Black women as complex beings whose identities form a mosaic of humanity, sensuality, anger, and tenacity. They continue to persevere, demonstrating strength, resilience, and grace.

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